中世フランス文学、及びラテン文学の写本一覧、及び各写本に関する参考文献が、現在オタワ大学准教授であるLaurent BRUNによって2005年に立ち上げられたサイトにて参照できます。研究の一助としてどうぞご活用下さい。Les Archives de littérature du Moyen Âge (ARLIMA) http://www.arlima.net/presentation.html

田辺　めぐみ　
(帝塚山学院大学非常勤講師)

Call for Applications ? Doctoral and Postdoctoral Fellowships for 2011 : Art, Space and Mobility in the Early Ages of Globalization.
The Mediterranean, Central Asia and the Indian Subcontinent (MeCAIS) 400-1650
Deadline for Applications: 15.09.2010

Six Doctoral and Postdoctoral Fellowships, sponsored by The Getty Foundation, Los Angelos
Gerhard Wolf, Hannah Baader, Avinoam Shalem



The Kunsthistorisches Institut in Florence (Max-Planck-Institute) is pleased to announce the start of the second year of the research program "Art, Space and Mobility in the Early Ages of Globalization: The Mediterranean, Central Asia and the Indian Subcontinent (MeCAIS) 400-1650", sponsored by the Getty Foundation. It offers up to six non-residential doctoral/postdoctoral fellowships, beginning Jan. 1, 2011. The project rethinks the postcolonial agenda through a study of premodern world orders and historical concepts of space and mobility with special attention to artistic objects, monuments and heritage.

The fellowship program is intended for young scholars who are working towards a Ph.D., as well as those candidates who already possess a Ph.D. (obtained no earlier than 2005). The fellowships are mainly open to archaeologists, art historians, and, in exceptional cases, to scholars of related fields like anthropology, history, philology and religious studies. The program especially welcomes applications from young scholars of Mediterranean countries and Asia. We seek projects with a broad appeal grounded in a thorough study of objects, and fellows whose interests focus on intercultural and interartistic agency; the mobility of ideas, artists and works of arts; and the creation or transformation of spaces within the chronological and topographical framework of the program. Applicants should be interested in premodern models of globalization while adopting an interdisciplinary perspective in their study of artistic objects, images and/or texts. Participants are invited to take part in the creation of a research network that will connect specialists in Western, Islamic, Byzantine, Indian, Central and East Asian art. Projects may consider one of the following questions according to the thematic focuses of the program: (Trans)formation of Topographies; Spaces of Power and Religion; Borderlines between Nature and Culture; Visual Culture and Systems of Knowledge; Transforming Artistic Languages; Making, Remaking and Exchanging: Art and its Techniques; Historiographies and Narratives.

The fellowships are non-residential. Research could primarily be conducted at the fellows' home institutions. At the same time, fellows will participate in a series of workshops in Berlin and Florence as well as in summer schools and seminars to be held in countries of the MeCAIS region. The working language is English.

For further information:
http://www.khi.fi.it/aktuelles/ausschreibungen/stellenangebote/stellenangebot64/index.html

IMC 2011 Call for Papers
The eighteenth International Medieval Congress will take place in Leeds, from 11-14 July 2011.

If you would like to submit a session or paper proposal for the IMC 2011 complete the IMC Online Proposal Form below.

Please read the guidelines carefully before completing the IMC 2011 Proposal Form.

Session Proposal

Paper Proposal

Round Table Proposal

Paper proposals must be submitted by 31 August 2010; session proposals must be submitted by 30 September 2010. Hard copies of the proposal forms are available on request after 16 July 2010.

If you would like to apply for an IMC bursary, to help with the cost of the Registration and Programming Fee, accommodation and meals at the IMC, please see the link below. You should submit your Bursary application at the same time as your paper or session proposal.

Bursary Application Form

Call for Papers/Sessions - International Medieval Congress 2011
As the global economy attempts to recover from the recent staggering economic downturn, and scholars and journalists describe the enormously uneven concentrations of wealth that took place in the decade preceding that downturn, it seems only natural to turn our scholarly gaze to issues of wealth and poverty in the Middle Ages. For that reason, the IMC has chosen for 2011 the special thematic focus:

Poor...Rich

How uneven was the distribution of wealth in medieval communities and polities? How was the distribution of wealth affected by environmental and commercial cycles of paucity and plenty? How was wealth amassed and then redistributed? What were the topographies of wealth and poverty? How permeable were the physical and symbolic boundaries between rich and poor? In what ways did both church and secular authorities attempt to deal with the moral and practical problems arising from poverty and the uneven distribution of wealth?

Areas of discussion could include:

charity, macro- and micro-economic studies
archaeological evidence for different economic strata, nutrition, social structures and social mobility
vagrancy and homelessness
the rich and the poor in literature
concepts of 'expensive' and 'cheap'
rural v. urban poverty
involuntary and voluntary poverty
religions and religious orders and their approach to poverty and wealth
tax structures and their affects on the distribution of wealth
social value of (manual) labour/work
spiritual poverty
concepts or perceptions of relative wealth or poverty
luxury, conspicuous consumption and magnificence
sumptuary laws, health and treatment of the sick
moral attitudes towards individualism
excessive living, gluttony, avarice, envy, and begging.

CALL FOR PAPERS : Last Orders - The Art and Architecture of Religious Orders in England, c.1350-1540

The Courtauld Institute of Art

Somerset House, Strand, London WC2

In contrast to the arts of the so-called 'golden age' of English religious life during the High Middle Ages, the visual culture of subsequent generations of monks, nuns, and canons has received little attention. Recent scholarship, however, has challenged the long-held consensus that the Late Middle Ages was a period of decline for the monastic and religious orders in England and elsewhere in Europe. Many historians now argue that monasticism adjusted adeptly to changing social, devotional, and economic practices and several important studies have recently devoted to this period of monastic patronage. Nevertheless, many aspects of monastic art and architecture remain largely unexplored. These include the role of continuity within orders, the expression of particular institutional and confessional identities, and the importance of innovation. The Last Orders symposium seeks to generate discussion on these questions and others, and we welcome proposals for papers on all aspects of monastic art and architecture in late medieval England.

Questions addressed might include, but are not limited to:

-What evidence does art and architecture provide for continuity or change in late-medieval monastic life?

-What were the motivations of monastic patrons?

-Was there anything distinctive about the art and architecture of the individual orders?

-What consciousness of earlier traditions do late-medieval works reveal?

-What roles did the Reformation and early modern antiquarianism play in shaping subsequent attitudes to late-medieval monastic art?

-How can developments in England to be related to those elsewhere in Europe?

-What kinds of connections and distinctions existed between the cultural practices of laypeople and those of the monastic and religious orders?

This symposium welcomes proposals from doctoral students and established researchers. Proposals of not more than 250 words (for 15 minute papers) should be sent to Michael Carter at michael.carter@courtauld.ac.uk by 1 November 2010.

日仏美術学会第115回例会のお知らせ
　
日仏美術学会第115回例会を下記のように開催いたします。奮ってご参加下さい。
　
日時：2010年7月2日（金）午後5時-7時30分
場所：日仏会館　5階501号室（東京都渋谷区恵比寿3-9-25）
　
　
総合タイトル：
「キリスト教の宗教実践と美術：写本と祭壇の装飾を中心に」
　
黒岩三恵（立教大学異文化コミュニケーション学部）
「ドミニコ女子修道会における信仰の実践とイメージ：ポワシー、サン・ルイ王立女子修道院における彩飾写本の事例をめぐって」
　
奈良澤由美（プロヴァンス大学中世地中海考古学研究所）
「南フランスの初期中世の彫刻装飾について　─サン・ベルトラン・ドゥ・コマンジュで発見された葡萄模様の祭壇テーブル（６世紀制作）を中心に」
　
司会：木俣元一（名古屋大学）
　
　
◆日仏美術学会◆
〒150-0013　東京都渋谷区恵比寿3-9-25　日仏会館内
Tel/Fax:03-3280-2415
e-mail：art-francojaponais○digital△email△ne△jp
　
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